Review Highlights
Praise for Gwynne in the First National Tour of SUFFS as Lucy Burns
“Gwynne Wood's Lucy Burns is the perfect foil: blunt, funny, furious.”
Broadway World AZ, Herbert Paine
“As Lucy Burns, Gwynne Wood delivers a blazing "Lucy's Song," electrifying the audience with defiance”
JHP Entertainment
“Bubbly and filling out the role of 'supportive best friend', Wood's Lucy is that delightful supporting and necessary lift to keep Alice Paul on track. From the moment she flies into "Find a Way" with her little 'don't' say two' when asking how many of them are there through to when she takes off with her beautifully positive swan song "Lucy's Song" you just get this convivial sense of sincerity and real camaraderie between her character and Alice. And she' hysterical for her verse in "G.A.B." sweet little protests to the 'featured word' and all.”
Theatre Bloom, Amanda N. Gunther
"if you haven't reached for the tissues by the two-hour mark, Wood's "Lucy's Song" might put you over the edge.”
Cleveland.com, Joey Morona
“(Maya Keleher’s) scenes with Gwynne Wood as Lucy Burns are among the best in the show-equal parts tense, affectionate, and quietly heartbreaking.”
Utah Concert Review, Kevin Rolfe
“The company plays every damn beat to the hilt….cast members knock it out of the park…Gwynne Wood as Lucy Burns ... the company is a cohesive unit of harmony. Safe to say, Broadway is sending us its best.”
Beverly Press Park Labrea News, Rance Collins
Praise for Gwynne in the National Tour of Daniel Fish's Oklahoma!
"“Understudy Gwynne Wood gave a standout performance as Ado Annie, an innocent yet inherently provocative young woman. Her powerhouse, rock rendition of “I Cain’t Say No,” packed with a corded mic and vocal riffs, left audiences cheering.”
Tess Patton, Annenberg Media, Center Theatre Group's Oklahoma in Los Angeles
"Gwynne Wood was perfection as Ado Annie- hilarious and super energetic."
The Melodrama Club
Praise for Gwynne in the Premiere of Senior Class at the Olney Theatre Center
“Gwynne Wood is the embodiment of a mousy stage manager in a quiet role that steals the show and adds the perfect amount of levity to the script.”
DC Theater Arts, Nicole Hertvick
"Gwynne Wood (who, as Steph, encapsulates the quiet exasperation of every beleaguered stage manager) shines extra brightly in their role."
Washington City Paper, D.R. Lewis
Praise for Gwynne in the National Tour of 1776
“Gwynne Wood is a delight as George Read, the Conservative Delaware delegate”
Chicago Theatre Reviews, Colin Douglas
"The (cast's) shared energy and chemistry transcended any individual performance, as all were simply amazing, and everyone onstage seemed to be having the time of their life."
The Show Report, Chris Daniels